Material studies, not other people's projects. Each one shows how a stone is read for a specific room.
We do not publish other people's villas as our own. Until our first projects are photographed, these are material studies: how we would read a slab for a kitchen, a bathroom or a feature wall.
They are honest about what they are — and useful for the decision in front of you.
Blue Roma, 20 mm, polished. A 3.2 m island with a mitred edge, book-matched so the vein runs across the top and down the side without a break.
The stone is the gesture. The cabinetry stays quiet.
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Taj Mahal quartzite, 20 mm, honed. Full-height walls and a single slab behind the bath, with the vein running horizontally to widen the room.
Honed, not polished: less reflection, more mineral calm.
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Negresco quartzite, 30 mm, polished. A single 3.6 m panel with the vein set vertically, so the wall reads taller and the room darker.
No book-match. No repeats. One slab, one gesture.
Discuss this applicationReference directions, not completed QUNSTONE projects. Each shows how we read material for a different interior — quiet luxury, French classicism, and contemporary grandeur.
Full-height walls, a single slab behind the bath, no visible joints. The stone is the only ornament.
A marble fireplace, a stone floor laid to the room's axis, and boiserie kept pale so the stone can speak.
Ceremonial scale, book-matched stone, dark timber and brass. The room is composed around one decisive gesture.
A pale, quiet field for timber, linen and shadow. The stone reads as light rather than pattern.
A stone for a grand salon: mirror-polished, quietly veined, held between mouldings and tall windows.
One dark panel, floor to ceiling, with the vein set vertically. The room becomes taller and quieter.
A sketch, a mood board or a dimension is enough. We will tell you which slab direction works, and what it costs to ship.